Tuesday, December 6, 2016

Learning Analysis: the story of How Feminist Theory Matters

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Tuesday 6 December, LAST DAY! How Feminist Theory matters
·       LEARNING ANALYSIS DUE & PRESENTED; LOGBOOK 4 DUE  
On our last day we will share with each other our thoughts on how what we know has changed during our time together. 
·       DUE TUESDAY THE LAST DAY IN CLASS: LOGBOOK 4, LEARNING ANALYSIS IN HARD COPY & ALSO SENT ELECTRONICALLY. (And anything not yet turned in.)
·       Send to katiekin@gmail.com , use filename "<yrlastname> 400 LEARNING ANALYSIS" & "<yrlastname> 400 LOGBOOK4" or whatever. Subject header SHOULD BE THE SAME.

You will get a written evaluation from me as I look through all your work for the semester. It will come on email, at the email address I have from Testudo's roster. Be sure to check that email to see it and your grade for the semester. I will do my best in the evaluation to share my interest in your work and to offer suggestions for the future. And I would be delighted to see you next term to discuss this class or anything else! I have enjoyed our class so much, and appreciate all of you! 

Passing some sweetness around....

Today we begin for everyone with some exercises, to help us focus and make it a bit easier to share what we have done in the learning analysis. Today each person will speak and offer their own unique sense of traveling through the argument or story of the course. Our personal feelings are, of course, a special part of this. But do think of this primarily as an intellectual sharing of analysis as well as of any careful personal details. Celebrating each others' work and our own, and especially thinking together today about the knowledge we each bring into being is the collective project here, what we share now as theorizers. So listen as carefully as you speak, because active listening is as necessary to collective thought. If someone else says something you intended to say, then -- thinking on your feet -- find another something to say that is a unique bit of your own work instead. 

Focusing exercises for presenting: 
EVERYONE:
1) find your favorite paragraph in the learning analysis. Put a star next to it.
2) write down what you are most proud of in this paper.
3) put an arrow next to the place you think best describes the argument of the course.
4) write down your favorite reading and be prepared to say what element of its ANALYSIS made it special for you.


PICK ONE OF THESE TOO:
=write about a moment in the course where everything seemed to come together for you.
=write about a moment outside the course where you realized you were using something you had learned in the class.
=write about a moment when you discovered something new about how you were included in the argument of the class. 

WHEN IT IS YOUR TURN TO SPEAK:
pick out three of these to share in four minutes. Focus on analysis -- of the course, readings, experiences, realizations -- especially, although feelings and politics have important places too. Be mindful of the time -- we want to allow time for everyone in the class to speak today -- give some real details: don't be too general. Do show off the hard thinking you are capable of. Make sure what you say is special and unique.

And may we keep running into each other, over and over, in friendship and connection and intellectual community and joyful living!


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Tuesday, November 29, 2016

How Feminist Theory Matters: Experience Set 4

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Experience Set 4 AT A GLANCE


you should have begun THE LEARNING ANALYSIS last week.
We will go over it today as well so you can finalize it to turn in next week after you and your class partner have gone over these together. 
TODAY WE ALSO HAVE OUR FINAL BOOK CIRCLE ON YOUR 5TH BOOK 



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Monday, November 14, 2016

• Worlding: keeping our planet going, caring for flourishing and justice

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scroll down to the end of this post for instructions for the last assignment, the Learning Analysis...

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Let's make our workshop an enheartening way to respond to the election 
• Worlding: keeping our planet going, caring for flourishing and justice 

Experience Set Three culminates in Workshop 2

• Worlding: keeping our planet going, caring for flourishing and justice 

 Tuesday 15 November:

“Worlding” is inspired by "Care - maintenance, repair and mending in a time of post-industrialism," a symposium at Umeå Institute of Design," 12-14 June 2016. "How do we practice care as we relate to feminist new materialisms and posthumanities, which recognise partiality and situatedness and actively encourage collaboration across disciplinary boundaries?" The main organisers were Kristina Lindström and Åsa Ståhl, postdocs at Umeå Institute of Design, Umeå University and co-authors of Patchworking publics-in-the-making: http://muep.mah.se/handle/2043/16093 Together they are working now on a project entitled Hybrid Matters together with Nordic artist and scholars: http://www.hybridmatters.net/pages/about

For Worlding you will create either a paper (with enough handouts for each member of the class) or a poster, and document it with digital pics (which determined by lot earlier, whichever one you did not do for Change is Happening). You may work on these individually or with a partner.

With the help of Haraway & Collins (you must show how you worked with these texts), and referring to Gibson-Graham & Keating, and also to two of the recommended texts, you will analyze feminist processes of worlding as activist actions. You will either begin from • 1) the most urgent feminist issue you care about, exploring activist practices that might speak to it; or you will begin from • 2) your own most valued activist actions, and analyze their possibilities for the feminist values you most care to embody. ALWAYS make a point of connecting projects to class readings, activities, and discussions. ALWAYS use a standard model for citation and bibliography, even on posters. You may also want to use the web to follow-up or look in greater detail at the kinds of worldings feminisms explore today and ways all of these are promoted in popular and scholarly media.

During the first part of class on workshop day, we will meet during class time to share our projects, displaying posters and handouts on the walls of our room, walk and talk one-on-one with each other, share questions, observations, excitements! In the second part of class time we will continue to work with the energy generated by our interactions, collectively coming up with reflective analysis and more ideas for what comes next!

Full credit for this assignment requires: • having begun work several weeks ahead of time, • writing and postering in several drafts, • displaying paper & handout or poster during worshop and • actively participating in interactions and reflections, • turning in electronic copies of poster pics or paper and handout to Katie’s gmail account, • and documenting each piece of the assignment as completed in your logbook, which must be turned in electronically with everything else by the evening after the workshop for credit. If for any reason whatsoever you miss any piece of this, you will need to document that in your logbook, with explanations, and perhaps notes of any discussions you have with Katie about it all. If you miss any workshop, you will need to arrange with three fellow students your own little mini-workshop, where you all meet together outside class to share your work and discuss it, and you write a two-page report on your meeting and discussion. 



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>>>BRING TO WORKSHOP: 
TO TURN IN: hard copy of paper & handout or print out of poster PLUS LOGBOOK!
TO DISPLAY and pass around: ENOUGH HANDOUTS FOR ALL STUDENTS IN CLASS (30) plus one of paper and handout to post on wall of classroom; poster to post on wall of classroom. BRING TAPE OR ANYTHING ELSE YOU NEED TO SHARE YOUR PROJECT AND POST IT! 

If for any reason you are not present or are missing anything YOU MUST STILL TURN IN LOGBOOK ELECTRONICALLY WITH EXPLANATIONS THAT EVENING!
You will have to RE-ENACT the Workshop with the aid of other class members, and then turn in documentation of what you did: a report and pics.

===
Questions to be able to answer directly about your project: 
  1. How did you work with both Haraway and Collins and how did you document this? Remember: the point of your project is to read in them both deeply through your project work itself. How have you done this? 
  2. Did you work from inquiry to praxis or praxis to inquiry or discuss their synergy?
  3. How did you connect your project to class readings, activities, and discussions?
  4. Which citation model are you using?
  5. What aspect of Worlding are you most focusing on? Where did you learn about this aspect?
  6. How will you demonstrate that you have been working on this all during the entire period of Experience Set 3? 
  7. What evidence of redrafting does your final product show? 
  8. What evidence of working with your class partner does your project show, esp. of final review before workshop day?
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Sign in as you arrive in class on either POSTER PEOPLE sheet or PAPER PEOPLE sheet.

If you are a team, put all team members names TOGETHER as first member signs in: add your signature to team list as all arrive.

NUMBER YOUR sign-in

THEN IMMEDIATELY CREATE YOUR SPACE: 
=pick out a wall space for your display: either handout or poster
=bring your own tape to fix to wall
=if creating a station with laptop, pull a desk next to wall and use that

CREATE ROOM around the walls so everyone can see everything easily! Move seats around as you need to.

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PROCEDURE: 

1) SIGN IN
2) SET UP STATION
3) everyone SILENTLY looks at all stations and takes notes for interactions and later discussion. (tips for note taking HERE)

4) half of class displays and other half walks around (which determined by kk from sign-in sheets)
INTERACTION IS KEY! SHORT BRIEF COMMENTS, THOUGHTS, OBSERVATIONS, QUESTIONS
TWEET AT EACH OTHER!

5) first interactions:
PART A – workshop 2 – first half

6) more:
PART B – workshop 2 – second half

7) Break

8) ENTIRE CLASS DEBRIEFS AND DISCUSSES

9) Introduction to the Learning Analysis, the final assignment of the term.

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next week and Experience Set 4 AT A GLANCE

>>>you begin THE LEARNING ANAlYSIS as soon as possible. 
YOU HAVE ALL OF NEXT WEEK OFF, SO USE SOME OF THE TIME TO WORK ON THIS
WHEN WE RETURN WE WILL HAVE OUR FINAL BOOK CIRCLE ON YOUR 5TH BOOK


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Tuesday, November 8, 2016

Please do come to class today and take Workshop 2 seriously

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A heartful concern shared with you all today: 

I am very worried that some folks think it is simply okay to miss classes before your Workshop project. It gives the impression that you are not taking this class as seriously as others when you do this.

Even though you need to have the option to not attend and just be filled in and no points are taken off for emergencies and other proper concerns, that definitely does not mean that not being in class will not affect your ability to do a good job in Workshop 2 for either the best or worst of reasons. You need to take that issue seriously too. Missing is not "free" in some odd way.

Ask yourself honestly too if you are only motivated by points and grades, or if you also have internal motivations that include valuing how to engage issues of social justice, the joyful work of theory and feminist action, and commitments to your book circle, your class partner/s, and to our group as an intellectual community.

Please don't be the sort of student only motivated by rewards and punishments: find other motivations that matter! This is the heart of education at its best, and of caring concern for others too.

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Polls open until 7 pm in VA and 8 pm in DC or MD

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Safeguarding your vote

If you are in line by 7 p.m. in Virginia or 8 p.m. in Maryland or D.C., you have the right to vote. If someone tells you, while you are in line, that you cannot vote, that is wrong. Call the Department of Justice at 1-800-253-3931 or email voting.section@usdoj.gov to report it.

Federal election monitors will be dispatched to Fairfax and Prince William counties to monitor any complaints or disruptions that would prevent Virginia voters form participating, including intimidation, the Justice Department announced. Hundreds of monitors will be on the ground in 65 other jurisdictions spread across 27 other states Tuesday.

[vote image from: https://feminist.org/blog/index.php/2012/11/29/we-need-your-votes/  ]

Voter Guide: Everything you need to know about Election Day in VA, DC, MD: includes times, how to find out your polling place, issues, and more: 
http://wtop.com/elections/2016/11/election-day-guide-know-vote-dc-maryland-virginia/  
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Monday, November 7, 2016

From NOW to WORKSHOP 2!

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TODAY: Tu 8 Nov: Praxis <=> Critical Inquiry / Theory; Collins, Chap 2 and pick another one

>>>NEXT TIME WE MEET NEXT WEEK: YOU MUST BE PRESENT FOR WORKSHOP TWO! 

>>>BRING TO WORKSHOP: 
TO TURN IN: hard copy of paper & handout or print out of poster PLUS LOGBOOK!
TO DISPLAY and pass around: ENOUGH HANDOUTS FOR ALL STUDENTS IN CLASS (30) plus one of paper and handout to post on wall of classroom; poster to post on wall of classroom. BRING TAPE OR ANYTHING ELSE YOU NEED TO SHARE YOUR PROJECT AND POST IT! 

If for any reason you are not present or are missing anything YOU MUST STILL TURN IN LOGBOOK ELECTRONICALLY WITH EXPLANATIONS THAT EVENING!
You will have to RE-ENACT the Workshop with the aid of other class members, and then turn in documentation of what you did: a report and pics.

===
Experience Set Three culminates in Workshop 2: everything we do until then is to create our projects for this second Workshop. Start now: 

• Worlding: keeping our planet going, caring for flourishing and justice 

 Tuesday 15 November:

“Worlding” is inspired by "Care - maintenance, repair and mending in a time of post-industrialism," a symposium at Umeå Institute of Design," 12-14 June 2016. "How do we practice care as we relate to feminist new materialisms and posthumanities, which recognise partiality and situatedness and actively encourage collaboration across disciplinary boundaries?" The main organisers were Kristina Lindström and Åsa Ståhl, postdocs at Umeå Institute of Design, Umeå University and co-authors of Patchworking publics-in-the-making: http://muep.mah.se/handle/2043/16093 Together they are working now on a project entitled Hybrid Matters together with Nordic artist and scholars: http://www.hybridmatters.net/pages/about

For Worlding you will create either a paper (with enough handouts for each member of the class) or a poster, and document it with digital pics (which determined by lot earlier, whichever one you did not do for Change is Happening). You may work on these individually or with a partner.

With the help of Haraway & Collins (you must show how you worked with these texts), and referring to Gibson-Graham & Keating, and also to two of the recommended texts, you will analyze feminist processes of worlding as activist actions. You will either begin from • 1) the most urgent feminist issue you care about, exploring activist practices that might speak to it; or you will begin from • 2) your own most valued activist actions, and analyze their possibilities for the feminist values you most care to embody. ALWAYS make a point of connecting projects to class readings, activities, and discussions. ALWAYS use a standard model for citation and bibliography, even on posters. You may also want to use the web to follow-up or look in greater detail at the kinds of worldings feminisms explore today and ways all of these are promoted in popular and scholarly media.

During the first part of class on workshop day, we will meet during class time to share our projects, displaying posters and handouts on the walls of our room, walk and talk one-on-one with each other, share questions, observations, excitements! In the second part of class time we will continue to work with the energy generated by our interactions, collectively coming up with reflective analysis and more ideas for what comes next!

Full credit for this assignment requires: • having begun work several weeks ahead of time, • writing and postering in several drafts, • displaying paper & handout or poster during worshop and • actively participating in interactions and reflections, • turning in electronic copies of poster pics or paper and handout to Katie’s gmail account, • and documenting each piece of the assignment as completed in your logbook, which must be turned in electronically with everything else by the evening after the workshop for credit. If for any reason whatsoever you miss any piece of this, you will need to document that in your logbook, with explanations, and perhaps notes of any discussions you have with Katie about it all. If you miss any workshop, you will need to arrange with three fellow students your own little mini-workshop, where you all meet together outside class to share your work and discuss it, and you write a two-page report on your meeting and discussion. 

===
Questions to be able to answer directly about your project: 

  1. How did you work with both Haraway and Collins and how did you document this? Remember: the point of your project is to read in them both deeply through your project work itself. How have you done this? 
  2. Did you work from inquiry to praxis or praxis to inquiry or discuss their synergy?
  3. How did you connect your project to class readings, activities, and discussions?
  4. Which citation model are you using?
  5. What aspect of Worlding are you most focusing on? Where did you learn about this aspect?
  6. How will you demonstrate that you have been working on this all during the entire period of Experience Set 3? 
  7. What evidence of redrafting does your final product show? 
  8. What evidence of working with your class partner does your project show, esp. of final review before workshop day?

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Monday, October 31, 2016

How do Manifestos create Worlds?

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For today you read either or both of Haraway's Manifestos in Manifestly Haraway 2016.

How do you know a Manifesto when you see one? 
WIKIPEDIA WISDOMS HERE & HERE
How do you write a Manifesto yourself? 
ONE APPROACH HERE; ANOTHER HERE

I care about…

I believe…

I am committed to…

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From Haraway Cyborg:

"Irony is about humor and serious play. It is also about a rhetorical strategy and a political method, one I would like to see more honored within socialist-feminism. At the center of my ironic faith, my blasphemy, is the image of the cyborg...." (5, 2016)  [okay, google blasphemy and you get:



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From Haraway Companion Species:

"This manifesto explores two questions flowing from this aberration and legacy: (1) how might an ethics and politics committed to the flourishing of significant otherness be learned from taking dog-human relationships seriously; and (2) how might stories about dog-human worlds finally convince brain-damaged U.S. Americans, and maybe other less historical challenged people, that history matters in naturecultures?" (95, 2016) [okay, google manifesto and you get:



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More on the contexts and meanings of Haraway Cyborg:

Sofoulis. 2002. Cyberquake: Haraway's manifesto. In D. Tofts, A. Jonson & A. Cavallaro (eds.), Prefiguring Cyberculture: An Intellectual History. MIT Press, pp. 84-103. Pdf of one version HERE.

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Consider The Riot Grrl Manifesto: 

RIOT GRRRL MANIFESTO

BECAUSE us girls crave records and books and fanzines that speak to US that WE feel included in and can understand in our own ways.

BECAUSE we wanna make it easier for girls to see/hear each other's work so that we can share strategies and criticize-applaud each other.

BECAUSE we must take over the means of production in order to create our own moanings.

BECAUSE viewing our work as being connected to our girlfriends-politics-real lives is essential if we are gonna figure out how we are doing impacts, reflects, perpetuates, or DISRUPTS the status quo.

BECAUSE we recognize fantasies of Instant Macho Gun Revolution as impractical lies meant to keep us simply dreaming instead of becoming our dreams AND THUS seek to create revolution in our own lives every single day by envisioning and creating alternatives to the bullshit christian capitalist way of doing things.

BECAUSE we want and need to encourage and be encouraged in the face of all our own insecurities, in the face of beergutboyrock that tells us we can't play our instruments, in the face of "authorities" who say our bands/zines/etc are the worst in the US and

BECAUSE we don't wanna assimilate to someone else's (boy) standards of what is or isn't.

BECAUSE we are unwilling to falter under claims that we are reactionary "reverse sexists" AND NOT THE TRUEPUNKROCKSOULCRUSADERS THAT WE KNOW we really are.

BECAUSE we know that life is much more than physical survival and are patently aware that the punk rock "you can do anything" idea is crucial to the coming angry grrrl rock revolution which seeks to save the psychic and cultural lives of girls and women everywhere, according to their own terms, not ours.

BECAUSE we are interested in creating non-heirarchical ways of being AND making music, friends, and scenes based on communication + understanding, instead of competition + good/bad categorizations.

BECAUSE doing/reading/seeing/hearing cool things that validate and challenge us can help us gain the strength and sense of community that we need in order to figure out how bullshit like racism, able-bodieism, ageism, speciesism, classism, thinism, sexism, anti-semitism and heterosexism figures in our own lives.

BECAUSE we see fostering and supporting girl scenes and girl artists of all kinds as integral to this process.

BECAUSE we hate capitalism in all its forms and see our main goal as sharing information and staying alive, instead of making profits of being cool according to traditional standards.

BECAUSE we are angry at a society that tells us Girl = Dumb, Girl = Bad, Girl = Weak.

BECAUSE we are unwilling to let our real and valid anger be diffused and/or turned against us via the internalization of sexism as witnessed in girl/girl jealousism and self defeating girltype behaviors.

BECAUSE I believe with my wholeheartmindbody that girls constitute a revolutionary soul force that can, and will change the world for real.

 "The Riot Grrrl Movement began in the early 1990s by Washington State band Bikini Kill and lead singer Kathleen Hanna.The riot grrrl manifesto was published 1991 in the BIKINI KILL ZINE 2"; online at: http://onewarart.org/riot_grrrl_manifesto.htm

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Tuesday, October 25, 2016

Beginning Experience Set 3: Keeping our planet going, caring for flourishing and justice

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Experience Set 3 AT A GLANCE


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BOUNDARY OBJECTS THAT MATTER:

Collins, p. 204: "The central challenge of intersectionality is to move into the politics of the not-yet. Thus far, intersectionality has managed to sustain intellectual and political dynamism that grows from its heterogeneity. This is immensely difficult to achieve when faced with the kinds of intellectual and political challenges we have explored in this book. But just because something is difficult does not mean that it's not worth doing."

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Collins, p. 193: "Throughout the book, we have aimed to deepen this working definition of intersectionality in ways that encompass its heterogeneity and dynamism yet clarity its core principles. We settled on this definition because it is BROAD AND ELASTIC ENOUGH to encompass the diversity within intersectionality



yet provides some guidance on some important BOUNDARIES around intersectionality."

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From Haraway & Wolfe interview, p. 206: "CW: 'One of the fascinating things to me about the "Manifesto" -- and I am not exaggerating when I say this -- is that I'm not sure I can think of any single document in my academic life that has been taken up more variously, let's just say (laughs), by MORE DIFFERENT AUDIENCES (just staying within academia), for more different purposes, than the "Cyborg Manifesto." And in that way, it's a document with a different kind of life in many ways from the "Companion Species Manifesto." And that's also a product of when the piece was published and famously tracing -- you're right, at that moment -- those BOUNDARY BREAKDOWNS that you identified."

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FREEWRITES

1) What did you learn from other people's work you interacted with in Workshop 1 that you have not yet had a chance to acknowledge?

2) If your best friend had been/was there to see YOUR work, what would they have learned from it that you are proud to have shared?

3) What advice would that best friend give you NOW that will make your work for Workshop 2 better in ways that YOU value?

===
Experience Set Three culminates in Workshop 2: everything we do until then is to create our projects for this second Workshop. Start now: 

• Worlding: keeping our planet going, caring for flourishing and justice 

 Tuesday 15 November:

“Worlding” is inspired by "Care - maintenance, repair and mending in a time of post-industrialism," a symposium at Umeå Institute of Design," 12-14 June 2016. "How do we practice care as we relate to feminist new materialisms and posthumanities, which recognise partiality and situatedness and actively encourage collaboration across disciplinary boundaries?" The main organisers were Kristina Lindström and Åsa Ståhl, postdocs at Umeå Institute of Design, Umeå University and co-authors of Patchworking publics-in-the-making: http://muep.mah.se/handle/2043/16093 Together they are working now on a project entitled Hybrid Matters together with Nordic artist and scholars: http://www.hybridmatters.net/pages/about

For Worlding you will create either a paper (with enough handouts for each member of the class) or a poster, and document it with digital pics (which determined by lot earlier, whichever one you did not do for Change is Happening). You may work on these individually or with a partner.

With the help of Haraway & Collins (you must show how you worked with these texts), and referring to Gibson-Graham & Keating, and also to two of the recommended texts, you will analyze feminist processes of worlding as activist actions. You will either begin from • 1) the most urgent feminist issue you care about, exploring activist practices that might speak to it; or you will begin from • 2) your own most valued activist actions, and analyze their possibilities for the feminist values you most care to embody. ALWAYS make a point of connecting projects to class readings, activities, and discussions. ALWAYS use a standard model for citation and bibliography, even on posters. You may also want to use the web to follow-up or look in greater detail at the kinds of worldings feminisms explore today and ways all of these are promoted in popular and scholarly media.

During the first part of class on workshop day, we will meet during class time to share our projects, displaying posters and handouts on the walls of our room, walk and talk one-on-one with each other, share questions, observations, excitements! In the second part of class time we will continue to work with the energy generated by our interactions, collectively coming up with reflective analysis and more ideas for what comes next!

Full credit for this assignment requires: • having begun work several weeks ahead of time, • writing and postering in several drafts, • displaying paper & handout or poster during worshop and • actively participating in interactions and reflections, • turning in electronic copies of poster pics or paper and handout to Katie’s gmail account, • and documenting each piece of the assignment as completed in your logbook, which must be turned in electronically with everything else by the evening after the workshop for credit. If for any reason whatsoever you miss any piece of this, you will need to document that in your logbook, with explanations, and perhaps notes of any discussions you have with Katie about it all. If you miss any workshop, you will need to arrange with three fellow students your own little mini-workshop, where you all meet together outside class to share your work and discuss it, and you write a two-page report on your meeting and discussion. 

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Tuesday, October 18, 2016

Come on Time Today! Sign In as you arrive as either Poster or Paper person or team

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Sign in as you arrive in class on either POSTER PEOPLE sheet or PAPER PEOPLE sheet.

If you are a team, put all team members names TOGETHER as first member signs in: add your signature to team list as all arrive.

NUMBER YOUR sign-in beginning with 1)

THEN IMMEDIATELY CREATE YOUR SPACE: 
=pick out a wall space for your display: either handout or poster
=bring your own tape to fix to wall
=if creating a station with laptop, pull a desk next to wall and use that

CREATE ROOM around the walls so everyone can see everything easily! Move seats around as you need to.

===
next week and Experience Set 3 AT A GLANCE


===
TIMELINE: 

From 4-4:25 
1) SIGN IN
2) SET UP STATION
3) everyone SILENTLY looks at all stations and takes notes for interactions and later discussion. (tips for note taking HERE)

4) half of class displays and other half walks around (which determined by kk from sign-in sheets)
INTERACTION IS KEY! SHORT BRIEF COMMENTS, THOUGHTS, OBSERVATIONS, QUESTIONS
TWEET AT EACH OTHER!

From 4:25-4:55, first interactions:
PART A – workshop 1 – first half

From 4:55-5:25, more: 
PART B – workshop 1 – second half

From 5:25–5:30: Break



From 5:30-6, 
ENTIRE CLASS DEBRIEFS AND DISCUSSES

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===
images: 
notes: http://www.timwoods.org/2011/09/20/taking-great-notes/
twitter: http://www.socialmediatoday.com/images/alltwitter-twitter-bird-logo-white-bluepng-9
reflect: http://youthengagementalliance.org/the-scary-world-of-the-debrief/
===

Tuesday, October 4, 2016

From NOW to WORKSHOP 1!

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  • TODAY: Tu 4 Oct: What counts as intersectional? two chaps Keating, one Take Back
  • NEXT WEEK, NO CLASS FOR YOM KIPPUR BUT THERE IS WORK! one chap Keating, two Take Back (finishing it up) -- think individualism 
  • >>>NEXT TIME WE MEET: TWO WEEKS FROM TODAY: YOU MUST BE PRESENT FOR WORKSHOP ONE! 
  • >>>BRING TO WORKSHOP: 
  • TO TURN IN: hard copy of paper & handout or print out of poster PLUS LOGBOOK! 
  • TO DISPLAY and pass around: ENOUGH HANDOUTS FOR ALL STUDENTS IN CLASS (30) plus one of paper and handout to post on wall of classroom; poster to post on wall of classroom. BRING TAPE OR ANYTHING ELSE YOU NEED TO SHARE YOUR PROJECT AND POST IT! 
  • If for any reason you are not present or are missing anything YOU MUST STILL TURN IN LOGBOOK ELECTRONICALLY WITH EXPLANATIONS THAT EVENING! 
===
>>>Tu 18 Oct Workshop1: Change is Happening!
Try to have read as much of Keating & Take Back as possible
DUE: attendance with research poster & pics or paper & handout

"Change is happening" is inspired by "The Diseased Posthuman" workshop, part of a seminar series organized by the Posthumanities International Network. Formed in partnership between The Posthumanities Hub at the Linköping University; Centre for the Humanities at University of Utrecht; Digital Culture Unit of Goldsmiths, University of London; and Centre for Interdisciplinary Methodologies at the University of Warwick, PIN brings together scholars invested in post-conventional humanities and provides a flexible platform for further research and collaboration. The workshop took place at Linköping University, Sweden, 6-7 June 2016. The Program is located here: https://www.dropbox.com/sh/fvj51bq6kyc2j7b/AABAVoDYQQMhaVli11OhNCLTa/PIN%20symposium%20programme.%20June%206%20-7.pdf?dl=0  [Katie's presentation is HERE]

For Change is Happening you will create either 

  • a paper (with enough HANDOUTS for each member of the class: 30) or 
  • a poster (and document it with digital pics): which one determined by lot early in the semester. You may work on these individually or with a partner.

With the help of two books (Gibson-Graham's Take Back the Economy & Keating) and your research among our recommended texts and appropriate web sites,

>>>you will map out what current changes you find yourself affected by:  

that is,
• how changes can be understood from the point of view of
1) yourself individually,
2) yourself and groups you identify with or work with, and
3) yourself with others you do not know, who perhaps are even forces, animals, objects, events.

We will explore what feminists mean by "affect," "agency" and "identity." 

ALWAYS make a point of connecting projects to class readings, activities, and discussions. ALWAYS use a standard model for citation and bibliography, even on posters.



During the first part of class on workshop day, we will meet during class time to share our projects, displaying posters and handouts on the walls of our room, walk and talk one-on-one with each other, share questions, observations, excitements! In the second part of class time we will continue to work with the energy generated by our interactions, collectively coming up with reflective analysis and more ideas for what comes next!

Full credit for this assignment requires: • having begun work several weeks ahead of time, • writing and postering in several drafts,displaying paper & handout or poster during worshop and • actively participating in interactions and reflections, • turning in electronic copies of poster pics or paper and handout to Katie’s gmail account, • and documenting each piece of the assignment as completed in your logbook, which must be turned in electronically with everything else by the evening after the workshop for credit.

If for any reason whatsoever you miss any piece of this, you will need to document that in your logbook, with explanations, and perhaps notes of any discussions you have with Katie about it all. If you miss any workshop, you will need to arrange with three fellow students your own little mini-workshop, where you all meet together outside class to share your work and discuss it, and you write a two-page report on your meeting and discussion.

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Tu 4 Oct: What counts as intersectional?
• Keating, choose 2 Chps
Take Back, choose 1

Intersectional is a term used differently by a range of feminists. 
How have you used it up to now? 
How do you see your uses as overlapping with those of Keating and Take Back collective? 
What differences appear too? 
How do people feel about this term? 
How do you feel? 
We will discuss relationships between emotions, feelings, affects as explored in feminist theory.

Your history with intersectionality includes (grey-blue)

=how you have used it in the past (orange)
=how you see it used now, can notice differences if pay careful attention (blue)
=how you might use in the future as your needs for this term shift (tan)

Uses of the term by various others for their purposes, meanings shift and alter
(green) (yellow) (brown) (rust red)


CAN YOU DO A SIMILAR ANALYSIS WITH TERM "INDIVIDUALISM"? TRY IT ON YOUR OWN: 

Tu 11 Oct: NO CLASS YOM KIPPUR but you do have reading, What is individualism?:
• Keating, choose 1 Chp
Take Back, choose 2

  • Look up individualism on the Wikipedia and see just what it might have to do with the readings for this week. 
  • Come in with specific ideas and some quotations from the books to share. 
  • What experiences do you have with individualism? 
  • What are contradictions among different versions? 
  • How does it connect with affect and agency?

YOU CAN PLAY WITH THIS GRAPHIC IF YOU WANT TO DOWNLOAD IT:  ===


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BOUNDARY OBJECTS (Bowker & Star 1999: 297-8)
"Boundary objects are those objects that both inhabit several communities of practice and satisfy the informational requirements of each of them. Boundary objects are thus both plastic enough to adapt to local needs and constraints of the several parties employing them, yet robust enough to maintain a common identity across sites. They are weakly structured in common use and become strongly structured in individual site use. These objects may be abstract or concrete.... Such objects have different meanings in different social worlds but their structure is common enough to more than one world to make them recognizable, a means of translation. The creation and management of boundary objects is a key process in developing and maintaining coherence across intersecting communities.” [kk emphasis] 

FEMTECHNET’S BOUNDARY OBJECTS THAT LEARN (Juhasz & Balsamo 2013) 
"Drawing on contemporary work in feminist science and technology research, we are working with an expanded notion of a “learning object” to incorporate insights about “boundary objects.” This theoretical reframing asserts that the “object” participates in the creation of meanings: of identity, or usefulness, of function, of possibilities. The concept of a “boundary object” was promoted by the late Susan Leigh Starr (a prominent feminist scholar in science/technology studies) to assert that objects (material, digital, discursive, conceptual) participate in the co-production of reality. At base, the notion asserts that objects perform important communication “work” among people: they are defined enough to enable people to form common understandings, but weakly determined so that participants can modify them to express emergent thinking.” [kk emphasis]

ON GROWTH AND DEATH OF BOUNDARY OBJECTS (Star 2010: 613-4)
“Over time, people (often administrators or regulatory agencies) try to control the tacking back-and forth, and especially, to standardize and make equivalent the ill-structured and well-structured aspects of the particular boundary object.” [kk emphasis]

LOCAL TAYLORING AS A FORM OF WORK (Star 2010: 607)
[different forms of materiality, gaps between formal representations and back-stage work] “subtly influenced the development of boundary objects in the sense of understanding local tailoring as a form of work that is invisible to the whole group and how a shared representation may be quite vague and at the same time quite useful.” [kk emphasis]

• Bowker, G. C., & Star, S. L. 1999. Sorting things out: classification and its consequences. MIT.
• Juhasz, A. and Balsamo, A. 2012. "An Idea Whose Time is Here: FemTechNet — A Distributed Online Collaborative Course (DOCC)." Ada, a journal of Gender, New Media & Technology, No.1. http://adanewmedia.org/2012/11/issue1-juhasz/
• Star, S.L. 2010. "This is Not a Boundary Object." Science, Technology & Human Values, 35/5: 601-617.

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Saturday, September 24, 2016

time to take on Power....

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Notice that we will meet next week, then Yom Kuppur with assignments; THEN WORKSHOP! So you MUST JUMP INTO WORKSHOP PROJECT RIGHT AWAY! Put all reading and discussion into your project and meet with your class partner several times!



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<<<EXPERIENCE SET TWO: Change is happening:
What and Who are changed and make change? How do we take on Power?>>>

Tu 27 Sept: Alternate versions of power and change
• Keating, Chap 1 or 6; be prepared to say WHY you chose the one you did!
• Take Back, Chap 4 (be sure you have already read Chaps 1, 2, 5)
• something from your 5th book (either Octavia's Brood or Are You My Mother?) Be prepared to say what you chose and why. Impress us!
• Find out much MORE about the Take Back Collective! Who are they? What assumptions do you find you made about them?
• Continue finding out more about Keating and check your assumptions there too!

• Bring in notes on the following and be ready to discuss!! 

How do Keating and the Take Back collective understand what changes are going on in our shared present? 

What is the same about their understandings, what is different? 

How does analyzing this help you understand your own assumptions about what changes are happening and how do you know

What sorts of "identities" are involved?

Which countries do they know about and refer to? 

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From Mindomo: https://www.mindomo.com/mindmap/two-conceptions-of-power-81d6c44cc6e0c15efbb178411601725e



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Feminist versions of power shift among these horizons of unilateral and relational. 
The Stanford Encyclopedia of Philosophy has an entire article on power worth reading, here is one bit from it: 

"Nancy Hartsock refers to the understanding of power “as energy and competence rather than dominance” as “the feminist theory of power” (Hartsock 1983, 224). Hartsock argues that precursors of this theory can be found in the work of some women who did not consider themselves to be feminists — most notably, Hannah Arendt, whose rejection of the command-obedience model of power and definition of ‘power’ as “the human ability not just to act but to act in concert” overlaps significantly with the feminist conception of power as empowerment (1970, 44). Arendt’s definition of ‘power’ brings out another aspect of the definition of ‘power’ as empowerment because of her focus on community or collective empowerment (on the relationship between power and community, see Hartsock 1983, 1996). This aspect of empowerment is evident in Mary Parker Follett’s distinction between power-over and power-with; for Follett, power-with is a collective ability that is a function of relationships of reciprocity between members of a group (Follett 1942). Hartsock finds it significant that the theme of power as capacity or empowerment has been so prominent in the work of women who have written about power. In her view, this points in the direction of a feminist standpoint that “should allow us to understand why the masculine community constructed…power, as domination, repression, and death, and why women’s accounts of power differ in specific and systematic ways from those put forward by men….such a standpoint might allow us to put forward an understanding of power that points in more liberatory directions” (Hartsock 1983, 226)." http://plato.stanford.edu/entries/feminist-power/

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Social Justice for Migrants in Ireland: "developing a critical analysis of power is key": http://www.mrci.ie/our-work/community-work/empowerment-2/



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time to take on Power....

===
<<<EXPERIENCE SET TWO: Change is happening:
What and Who are changed and make change? How do we take on Power?>>>

Tu 27 Sept: Alternate versions of power and change
• Keating, Chap 1 or 6; be prepared to say WHY you chose the one you did!
• Take Back, Chap 4 (be sure you have already read Chaps 1, 2, 5)
• something from your 5th book (either Octavia's Brood or Are You My Mother?) Be prepared to say what you chose and why. Impress us!
• Find out much MORE about the Take Back Collective! Who are they? What assumptions do you find you made about them?
• Continue finding out more about Keating and check your assumptions there too!

• Bring in notes on the following and be ready to discuss!! 

How do Keating and the Take Back collective understand what changes are going on in our shared present? 

What is the same about their understandings, what is different? 

How does analyzing this help you understand your own assumptions about what changes are happening and how do you know

What sorts of "identities" are involved?

Which countries do they know about and refer to? 

===
From Mindomo: https://www.mindomo.com/mindmap/two-conceptions-of-power-81d6c44cc6e0c15efbb178411601725e



===
Feminist versions of power shift among these horizons of unilateral and relational. 
The Stanford Encyclopedia of Philosophy has an entire article on power worth reading, here is one bit from it: 

"Nancy Hartsock refers to the understanding of power “as energy and competence rather than dominance” as “the feminist theory of power” (Hartsock 1983, 224). 
Hartsock argues that precursors of this theory can be found in the work of some women who did not consider themselves to be feminists — most notably, Hannah Arendt, whose rejection of the command-obedience model of power and definition of ‘power’ as “the human ability not just to act but to act in concert” overlaps significantly with the feminist conception of power as empowerment (1970, 44). Arendt’s definition of ‘power’ brings out another aspect of the definition of ‘power’ as empowerment because of her focus on community or collective empowerment (on the relationship between power and community, see Hartsock 1983, 1996).
This aspect of empowerment is evident in Mary Parker Follett’s distinction between power-over and power-with; for Follett, power-with is a collective ability that is a function of relationships of reciprocity between members of a group (Follett 1942). Hartsock finds it significant that the theme of power as capacity or empowerment has been so prominent in the work of women who have written about power. 
In her view, this points in the direction of a feminist standpoint that “should allow us to understand why the masculine community constructed…power, as domination, repression, and death, and why women’s accounts of power differ in specific and systematic ways from those put forward by men….such a standpoint might allow us to put forward an understanding of power that points in more liberatory directions” (Hartsock 1983, 226)." http://plato.stanford.edu/entries/feminist-power/

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Social Justice for Migrants in Ireland: "developing a critical analysis of power is key": http://www.mrci.ie/our-work/community-work/empowerment-2/



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• Find out much MORE about the Take Back Collective! Who are they? What assumptions do you find you made about them?

http://www.critical-theory.com/20-must-read-queer-theory-books/2/


http://takebackeconomy.net/?page_id=48




• Continue finding out more about Keating and check your assumptions there too!

http://myecdysis.blogspot.com/2007/06/nwsa_9779.html

"Gems from AnaLouise Keating:

"Feminism is not a white thing. We. Are. Feminists.
Spiritual Activism is not religion, it is a holistic approach to plitics and transformation. It is the belief that there is more to existence than the embodied world and the spirit infuses it. We are all connected and are accountable for the people down the street, across the border, across the seas.
It is not based on sameness, not about walking in a straight line.
Feminism must stretch to an unseen place."

• something from your 5th book (either Octavia's Brood or Are You My Mother?) Be prepared to say what you chose and why. Impress us!

Octavia Butler herself:

http://www.winnovating.com/octaviabutlerwinnovatingsciencefiction/



Octavia's Brood: the book comes into being:

https://www.indiegogo.com/projects/octavia-s-brood-science-fiction-stories-from-social-justice-movements#/

https://www.youtube.com/watch?v=tUz3jql9m0w



And Alison Bechdel? http://www.azquotes.com/author/1107-Alison_Bechdel



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FREEWRITING:

• where are you in your process for your paper & handout or poster & digital pics for Workshop 1?
• how you do understand the objectives of Workshop 1?
• what plans have you made already for working with your class partner for Workshop 1?

PROTOTYPING:

• draw a picture of the most curious element of your paper or poster
• draw pictures that show how what we read today is affecting your ideas for poster or paper
• draw pictures that illustrate a research process for Workshop 1.

What does prototyping have in common with drafting? when is a draft a prototype?

only one way to think about this, both applicable and not, yet curiously interesting: https://en.wikiversity.org/wiki/Rapid_Prototyping_Techniques


How collectives, in this case a museum, can use design processes to create changing action and projects: 

http://www.slideshare.net/dmitroff/design-thinking-at-museum-next-2014-for-slideshare

=freewrite, observe, seek stories in reading and the world, caring: EMPATHIZE
=working with class partner and perhaps with collaborator identify surprises and insights, problems and opportunities, be careful not to jump to conclusions, open to what you don't yet know: DEFINE
=generate ideas withOUT pre-judgments so you have more to test and wonder about: IDEATE
=make stuff: drawings, poster drafts, flow charts, outlines, journaling, thingies: PROTOTYPE
=TEST AT OUR WORKSHOP, get responses, make connections, learn what got left out

THEN BEGIN AGAIN FOR WORKSHOP 2 adding more readings, observations, insights....
REPEAT! 


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From Gibson-Graham, J. K. 1999 & (online) 2010. "Queer(y)ing Capitalism in and out of the Classroom," Journal of Geography in Higher Education 23/1: 80-85. http://dx.doi.org/10.1080/03098269985623

"I [REMEMBER THIS IS ACTUALLY A COLLECTIVE AUTHOR!] was still trying to capture `what was happening out there’, like the researchers at the conference. Students were drawn to the certainty and urgency of tracing the `emergence of global capitalism’ in particular industrial sectors and regions, and the classroom became a site where the new world order was critically `pinned down’. At that point I was not thinking about the social representation my students and I were creating as constitutive of the world in which we would have to live. Yet the image of global capitalism that we were producing was actively participating in consolidating a new phase of capitalist hegemony [3]. Through my pedagogy and other forms of communication, I was representing an entity called the `global capitalist economy’, and that representation was becoming common sense to a generation of students and activists. Over a period of years this became increasingly clear to me and increasingly distressing.

My situation resembled that of the many other teachers and social theorists for whom the `object of critique’ has become a perennial and consequential theoretical issue. When theorists depict patriarchy, or racism, or compulsory heterosexuality, or capitalist hegemony they are not only delineating a formation they hope to see destabilised or replaced. They are also generating a representation of the social world and endowing it with performative force. To the extent that this representation becomes infuential it may contribute to the hegemony of a `hegemonic formation’; and it will undoubtedly infuence students, and other people’s ideas about the possibilities of difference and change, including the potential for successful political interventions. In the classroom the excitement of `identifying’ global capitalism was increasingly tempered by the seeming futility of any form of resistance to it, and some students became exasperated and disillusioned by the project.

A feeling of hopelessness is perhaps the most extreme and at the same time most familiar political sentiment in the face of a massive or monolithic patriarchy, racism, or capitalism. Perhaps it is partly for this reason that many social theorists have taken to theorising a hegemonic formation in the field of discourse (heteronormativity, for instance, or a binary gender hierarchy) while representing the social field as unruly and diverse [4]. A good example can be found in Sedgwick’s opening chapter to Epistemology of the Closet where she counterposes to a heteronormative discourse of sexuality the `obviousness’ [5] of the great and existing diversity of people’s relations to sex. In a similar fashion, bell hooks (1992) sets a dominant phallocentric discourse of black masculinity (and black racial identity) against the diverse social field of black masculinities and gender relations [6].

Like many political economists I had heretofore theorised the US social formation and `the global economy’ as sites of capitalist dominance, a dominance located squarely in the social (or economic) field. But a theoretical and pedagogical option now presented itself, one that could make a powerful difference: to depict economic discourse as hegemonised while rendering the social world as economically differentiated and complex. It is possible, I realised, and potentially productive to understand capitalist hegemony as a (dominant) discourse rather than as a social articulation or structure. Thus, one might represent economic practice as comprising a rich diversity of capitalist and non-capitalist activities and argue that the non-capitalist ones had until now been relatively `invisible’ because the concepts and discourses that could make them `visible’ have themselves been marginalised and suppressed.

In this project of discursive destabilisation, the first task is to undermine familiar representations of capitalism as the hegemonic form of economy, as necessarily and naturally dominant. This opens up a space for alternative economic representations.... (82)

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